Lectures

10.03.2011: "Mountain Goat Canary," Oberlin, Ohio

09.22.2011: "Mountain Goat Canary," lecture series, WPU, NJ

Review

09.2011: "Media Arts Rewrite the Time," by Dooeun Choi for Art Musuem

01.11, 11: Does the artist Yael Kanarek actually exist? Not Yet, an essay by novelist Rick Moody published on Bombsite.

Exhibitions

April 1 – May 8: "The Typhoon Continues and So Do You," Flux Factory, Long Island City, New York

Oct 13, 2010– Apr 30, 2011: "The Politics of Art," National Museum for contemporary art, Athens, Greece

February 17 - March 4, 2011: "Pas De Rapport Morceaux Choisis," Galeri de L'Erg, Bruxelles.

March 31-June 4, 2011: "The Aesthetics of the Fake": an exhibition, conference and on-line catalog, Sacramento's University Library Gallery California State University.

Panel

Saturday, March 26, 2pm: "From the (Trans)gendered Body to the Cyborg: Feminism, Art, and Technology," Brooklyn Museum, Sackler Center

Residency

May 4–June 8, 2011: Civitella Ranieri, Umbria, Italy

Installing Untitled (L'Origine)

Stop-motion video shot at bitforms gallery for the exhibition "Spazialismo,“ curated by Laura Blereau.

yael at treasurecrumbs.com
World of Awe is a growing body of works since 1994.It documents the greatest transformation of our times: The shift from Modernism to Networked society. The focus is the reorganization of identity from a psychological unit to the self as a node/hub in an information network.

I come to this from my personal biography: Like many of you, I live between cultures, languages and body languages. This is an increasing global phenomena, and I’m convinced that the future citizen of the Network Society is inevitably postnational.

Network Technology and Science feature in the works. Narrative and languages are the central device to synthesize with different media. More >

Traveler's Journal is a collection of net art works that tell of a traveler who searches for a lost treasure in a parallel world called Sunset/Sunrise. The solitary quest draws an internal, vast landscape. This subjective cosmology of a voice striped of identity properties is the source for most of the works. More >